For this exercise, I replaced the original track of Stane
  with a newly composed final score, specifically created
  for the film’s closing sequence and end credits.
  The aim was to reimagine the emotional resolution
  of the story through a fresh musical lens — giving the
  ending a different tone and pacing.

By stripping away the original music and building a new  
composition from scratch, I explored how sound can  
subtly shift the weight of a scene and  
guide the viewer’s final impression.